Metal Moon Magazine X Vampir
by: Wish Fire
Saint Gothic
Metal Moon Magazine X Vampir
An Ancient Vampire/Demon From Turkish Culture
In Turkish lore, the concept of a vampire is represented by the word “Yek,” which translates to “devil” or “satan.” This term is found in the oldest Turkish texts and is used to describe a type of vampire in Turkish culture. The word “Yek” is derived from the verb “yemek,” meaning “to eat,” and is associated with cannibalism. In the context of Turkish culture, “Yek” can also refer to a glutton or someone who eats excessively. The vampire-like creature Ubır, also known as Obur, Hobur, or Vupar, is another significant figure in Turkic mythology. Ubır is depicted as a ravenous and insatiable creature with vampiric features, capable of transforming into human forms and possessing the ability to inflict torment on those it consumes. These creatures are part of the broader tradition of supernatural beings in Turkish folklore, which includes various other mythological creatures and beliefs.
*Microsoft
Metal Moon Magazine X Vampir
In Turkish lore, the concept of vampires is represented by the term “obur,” which translates to “glutton” or “appetite.” This term is often associated with supernatural beings that consume blood and are linked to the idea of vampires. Additionally, the “Yek” and “Yek İçkek” are other names for vampire-like creatures in Turkish mythology, reflecting the diverse representations of these supernatural beings in the region’s folklore.
The metal connected to vampires is silver. In folklore and mythology, silver is often depicted as a powerful weapon against vampires and other supernatural beings. This association stems from various beliefs, including its antimicrobial properties and its historical use in amulets and protective items. Silver is considered a symbol of purity and has been used in Eastern European vampire lore to ward off evil spirits and protect against vampires.
*Bing
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Metal Moon Magazine X Vampir
In Arabic mythology, vampiric entities such as ghouls (ghūlah) and alguls are prominent, characterized by their flesh-eating and blood-drinking behaviors.
Ghouls (Ghūlah)
Description: Ghouls are female vampiric beings found in Arabic and Persian folklore. They are often depicted as flesh-eating creatures that may or may not be deceased when they partake in their gruesome feasts. Ghouls are known to exhume fresh corpses from cemeteries when living flesh is unavailable.
Historical Context: The belief in ghouls dates back to pre-Islamic Arabia and persisted into the Islamic era, with references found in classic literature such as “One Thousand and One Nights” (Alf Laylah wa-Laylah). They are often associated with terror and superstition in the region, with tales suggesting they can only maintain their existence by consuming the hearts of young men.
Source
Alguls
Description: The algul is another vampiric entity in Arabic folklore, often referred to as a “blood-sucking jinni.” This creature is known for its ability to take on human form, allowing it to deceive and prey on unsuspecting victims, particularly children. Alguls are said to live in cemeteries and are difficult to kill due to their supernatural resilience.
Characteristics: Alguls are often described as immortal and can survive on minimal sustenance, such as a few grains of rice daily. They are notorious for their cunning and ferocity, making them formidable adversaries in folklore.
Source
Cultural Significance
Both ghouls and alguls reflect the deep-rooted fears and superstitions surrounding death and the afterlife in Arabic culture. These entities serve as cautionary tales, warning against the dangers of straying too far from societal norms and the consequences of moral transgressions. Their presence in folklore highlights the intersection of fear, morality, and the supernatural in Arabic storytelling traditions.
In summary, Arabic mythology features unique vampiric figures like ghouls and alguls, each with distinct characteristics and cultural significance, contributing to the rich tapestry of folklore in the region.
*Copilot
Metal Moon Magazine X Vampir
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europaarcana.com/cryptid-creatures/gholes-female-vampires-in-arabic-folklore/
Creature Types: Ghoul
Mythological/Cultural Origins: Arabic, Persian
The Turkish music scene has a vibrant fusion of rap and metal elements, often called rap metal, nu metal/rapcore, or alternative metal with hip-hop influences
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Roles/Functions in Lore: Deceiver, Destroyer
Literary Sources/Traditions: Arabic Folk Tales, One Thousand and One Nights
Historical/Legendary Time Periods: Islamic, Pre-Islamic
Attributes/Powers: Blood-drinking, Flesh-eating, Necrophagy
Alignments/Moral Standings: Malevolent
Gholes (ghūlah), in Arabic and Persian folklore, are female vampiric beings, similar to lamiae. Their existence is documented since time immemorial in the Middle East, notably in the One Thousand and One Nights (Alf Laylah wa-Laylah). They are described as flesh-eating and blood-drinking creatures, akin to werewolves, and may or may not be deceased when partaking in these gruesome feasts. When living flesh is unavailable, gholes exhume fresh corpses in cemeteries. The belief in gholes was widespread in pre-Islamic Arabia and persisted into the Islamic era, with accounts dating back to the reign of Harun al-Rashid in the 8th century. These entities are a subject of terror and superstition in the region. Some tales suggest that they can only maintain their dreadful existence by consuming the hearts of young men, an indication of the long-standing presence of vampiric lore in Arabian traditions.
Metal Moon Magazine X Vampir
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These artists often gain traction through platforms like Spotify playlists (“The Sound of Native American Hip Hop”), Bandcamp, or events tied to Native American Heritage Month/Indigenous Peoples’ Day
Recent winners from Indigenous Hip Hop Awards highlight ongoing talent like TheRA11N, She Rōze, and more.
Tall Paul — Anishinaabe; reflective, 90s-style beats from Minneapolis.
A Tribe Called Red (now The Halluci Nation) — Electronic/hip-hop producers (First Nations from Canada); fuse powwow vocals with EDM/hip-hop.
Others: Sten Joddi (Muscogee Creek), Pooky G, MZShellz (Cree), Nataanii Means (Oglala Lakota), Quese IMC, Anybody Killa (gained mainstream indie chart success).
Drezus — Cree; hard-hitting tracks like “Warpath” call out marginalization and land rights.
Litefoot — Cherokee; veteran artist, actor, and Native American Music Award winner; blends hip-hop with cultural messages.
Supaman (Christian Takes the Gun) — Crow Nation; known for high-energy tracks like “Why,” often incorporating powwow elements and activism.
Frank Waln — Rosebud Sioux; activist-rapper with powerful songs like “AbOriginal,” focusing on Indigenous issues and pride.
Popular Native American Rap / Hip-Hop Artists
Indigenous hip-hop often mixes activism, storytelling, traditional beats, and modern production. Many address overlooked histories, reservation life, and empowerment.
The Navajo rez metal scene is particularly thriving—check out documentaries like Rez Metal for more on its origins and growth.
Others: Bands like Dogs Throw Spears (Diné death metal), I Dont Konform, Born of Winter from the Navajo scene; or individuals like Chuck Billy (Testament, thrash metal with Indigenous themes) and Joey Belladonna (Anthrax).
BIIPIIGWAN — Anishinaabe-inspired crushing metal from Canada/US border regions.
Resistant Culture — “Tribal grindcrust” style; Indigenous themes in grindcore/crust punk-metal.
Gyibaaw — Tsimshian band from the Pacific Northwest; black/death metal with lyrics mostly in the S’malygax language.
Nechochwen — Black/folk metal from West Virginia; draws on heritage for themes of history, nature, and traditions.
Mutilated Tyrant, Signal 99, Morbithory — Part of the vibrant Diné (Navajo) heavy metal scene; focus on environmental issues, Native pride, and raw energy (death metal, black metal influences).
Testify — Often called standard-bearers for rez metal; from the Navajo reservation in New Mexico, they deliver positive, inspiring thrash/heavy metal.
Metal has a strong DIY scene, especially on reservations (e.g., Navajo Nation’s “rez metal”), with bands addressing colonialism, environment, pride, and community.
There are several talented Native American (or Indigenous) artists and bands across metal, rap/hip-hop, and broader music scenes. Many blend traditional elements—like drums, flutes, languages, or themes of resilience, culture, land rights, and identity—
with modern genres. This creates powerful, unique sounds often tied to “rez metal” (reservation metal) in the Southwest or Indigenous hip-hop activism.
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لحظة تاريخية في أسيزي : العالم إلى جانب مار فرنسيس
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The Moon will turn blood red for more than 56 minutes on March 03, visible to nearly six billion people
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